“I've never used my own live microphone, and feel like the en·CORE 100 is a pretty spoiled place to start. I've just completed tours of Europe and Australia with it and gotten compliments on both its tonal range and dynamic response from sound guys (and gals) literally the world over. Not to mention it looks cool, different, almost gilded. And the 200 turns just as many heads. I feel comfortable and confident with the en·CORE's response and definitely recommend it to anyone interested in a versatile performance mic.”
Kevin Devine - songs, vocals, guitar, bass, piano, percussion.
The Goddamn Band, 'Brother's Blood' record:
Brian Bonz (keys, melodica, percussion)
Chris Bracco (bass, keys)
Mike Skinner (drums, piano)
Russell Smith (electric guitar, percussion)
Mike Strandberg (electric and acoustic guitar, mandolin, Rhodes piano, percussion)
Home Town: Brooklyn, NY
Current Album: Brother’s Blood
Single: I Could Be With Anyone
Release Date: April, 2009
Produced By: Chris Bracco/ Mike Skinner
Record Label: Favorite Gentlemen/BSM/Arctic Rodeo/AFS
With a musical repertoire that spans the spectrum from hushed finger-picked narratives to bombastic rockers, Kevin Devine is one of those rare talents who straddles a multitude of genres and feels equally at home in each. Whether he’s playing solo to hundreds of his devotees in a cramped NYC club, joining friends on stage at Lollapalooza or touring with artists varying from Rachel Yamagata to Brand New, Devine’s songs enrapture a diverse set of ears like few musicians.
Born and raised in New York and currently dwelling in Brooklyn, Devine is a singer/songwriter who has been quietly honing his craft since the release of his first album in 2002. He’s since been adding idiosyncratic chapters to his unique success story by building his diehard international fanbase with incessant touring and a series of compelling releases that highlight his introspective lyrical wordplay, each displaying an impressive musical evolution.
Brother's Blood, his fifth record and first with Manchester Orchestra's Favorite Gentlemen record label, is the most resounding evidence of that ethic and maturation - a sprawling, confident mission statement about conscience, culture, and personality. ?
Brother's Blood is a response to the three years Devine spent touring relentlessly behind his major label debut, the Rob Schnapf-produced Put Your Ghost To Rest, initially released by Capitol/EMI in 2006 and later re-issued by Brand New's Procrastinate! Music Traitors following Devine's dismissal from Capitol during its bloody merger with Virgin. True to Devine’s character, he turned a potentially grisly outcome inside out and instead exited the label with a healthier and more thriving career than when he went in.
Devine accomplished this feat the old fashioned way: playing close to 600 shows between June 2006 and December 2008, further broadening his appeal and versatility, and doing it all without the centralized support from a label.
These shows offered him opportunities to share stages (and vans) with artists as diverse as AA Bondy, Annuals, Manchester Orchestra, Elf Power, Rachel Yamagata, Lucero and Corinne Bailey Rae. He appeared at The Sundance Film Festival alongside She & Him and Mandy Moore and at Austin City Limits with Clap Your Hands Say Yeah and Andrew Bird. He traversed the globe at a feverish pace: the UK with All-American Rejects, Australia with The Offspring, England and Ireland, Europe and Japan, and of course, the States. Back home, he triumphantly oversold two headline gigs at New York's Bowery Ballroom and was asked to join two very different groups of friends, Brand New AND Okkervil River, on their respective stages at Lollapalooza 2008.
Somewhere in all that motion, Devine managed to whip 15 or so songs into shape and started visualizing what would become Brother's Blood. He recorded barebones acoustic versions of the tracks in early '08 and eventually rehearsed and demoed those with his erstwhile Goddamn Band (Brian Bonz on keys & percussion, Chris Bracco on bass, Mike Skinner on drums, Russell Smith on guitar, and Mike Strandberg on guitar) in their Brooklyn practice space all summer.
Carving away at and layering ideas with producers Bracco & Skinner and engineer Dan Long, the band bunkered down in Williamsburg's Headgear Studios (TV on the Radio, Yeah Yeah Yeahs, Au Revoir Simone, Son Volt) for the first two weeks of August. Devine consciously ceded more control of arrangement to his players, hoping to affect a more live, full-band feel for the first time on record. ?
The results speak for themselves. Brother's Blood is both the next step and a break in form; it reflects the diverse talents and contributions of The Goddamn Band as much as it speaks to the scope of Devine's influences and commitment to exploring new stylistic territory. Lead single "I Could Be With Anyone" is a charging and hook-heavy pop song equally indebted to The Cars and Superchunk; "Another Bag Of Bones" (initially released as a Rob Schnapf-produced acoustic single around the ramp-up to the election) pins its dystopian and restless vision of a civilization in freefall to a dark and explosive groove before finding release in a choir's hopeful strain. Meanwhile, the title track is a massive and dynamic homage to the epic guitar freakouts of Neil Young and Built To Spill and the hypnotic and ominous "Carnival" sets the tone its with spacious, swirling flares of psychedelia – a dynamic exploration of tension and release which plays against a nightmarish hallucination about lost willpower and the fear of finally waking up to a reality that's even crazier than your dreams.?
But far from being one of Devine’s rockingest recordings to date, many of Brother's Blood’s finest moments are its quietest. Opener "All Of Everything, Erased" lays a bed of nimble and rhythmic finger-picking for its vivid description of a world left with no recourse but to cleanse itself of humanity and start over. "Fever Moon" is a sultry, Latin-influenced meditation on lust and its consequences that wouldn't seem out of place on a 1970s Leonard Cohen album, while "Murphy's Song" features a dazzling vocal turn from Jaymay that adds some jazz-era sensuality to the song's trumpet and piano-sprinkled Carribean lilt. On "Tomorrow's Just Too Late," Devine and Brand New's Jesse Lacey deliver a delicate and weaving full-song harmony that would make Simon & Garfunkel proud.?
Whether he’s joined in a duet, backed by his Goddamn Band, or singing quiet ruminations into his microphone alone with just his acoustic guitar, Devine deftly illustrates his unique versatility and breadth with each note. Brother’s Blood not only serves as a reminder of this but as the next step in his exciting evolution.
“AM may not be an easy artist to Google but his music is contagious.” - KCRW 89.9 FM, Todays Top Tune Feature
“AM’s band has a soulful synchronicity. Their music was, oh I know I shouldn’t say it but, groovy.“ - Popwreckoning
“This is pop music for the refined ear, or, rather, the ear that remembers what pop music was really always supposed to be.” -The Deli Magazine, Featured CD Of The Month
“If we were to, say, compare AM’s sophomore release Future Sons & Daughters to some mode of transportation, it would be something like a sonic vessel, transporting listeners across a sometimes tropical, otherwise Western-tinged, peaceful but swinging sea of cross-genre waters to a synaesthetic land of sunny melodies and easy beats.” -American Songwriter Magazine- 4 Star Review